Chasidut · Breslov

Likutei Moharan 49:9/ליקוטי מוהר"ן מ״ט:ט׳

אוְזֶה טַעַם לָמָּה שׁוֹלַחַת הַכַּלָּה לְהֶחָתָן טַלִּית, כִּי הַצַּדִּיק מְקַבֵּל גְּבוּרָתוֹ עַל יְדֵי יִשְׂרָאֵל, כְּמוֹ שֶׁכָּתוּב: לַשֶּׁמֶשׁ שָׂם אֹהֶל בָּהֶם:
19. Now this is the reason the bride sends the groom a tallit. For the tzaddik receives his strength through the Jewish people, as in, “He set up a tent in their midst for the sun.”
בוְזֶה שֶׁאוֹמְרִים "עֵלַה" עַל הַחֲתֻנָּה, עַל שֵׁם הִיא הָעוֹלָה כַּנַּ"ל, כִּי הַשִּׂמְחָה הִיא בַּלֵּב, כְּמוֹ שֶׁכָּתוּב (תהילים ד׳:ח׳): נָתַתָּה שִׂמְחָה בְלִבִּי. וְזֶה בְּחִינַת: מִי זֹאת עוֹלָה – מִי עִם זֹאת עוֹלָה:
2This is why they say “ELaH” at a wedding, on account of “she is the OLaH (burnt-offering),” as explained above. This is because joy is in the heart, as it is written (Psalms 4:8), “You put joy in my heart.” This also corresponds to “Who is this that ascends”—”who” olah (ascends) together with “this.”
גוּזְמִירוֹת שֶׁמְּזַמְּרִין עַל הַחֲתֻנָּה, זֶה הֵ"א, דָּלֶ"ת עִם יוּ"ד, שִׁיר פָּשׁוּט וְכוּ' כַּנַּ"ל: וְזֶה שֶׁצּוֹעֲקִין "שַׁבָּת", שֶׁעַל־יְדֵי־זֶה זוֹכִין לְעֹנֶג שַׁבָּת, לְאוֹרַיְתָא דְּעַתִּיקָא כַּנַּ"ל:
3And the singing of songs at a wedding is the heh, the dalet and the yod, a simple-twofold-threefold-fourfold song, as explained above. This is also why they cry “Shabbos,” because through this we merit the delight of Shabbat, the Torah of the Ancient One.